EASTERN STRUCTURE
The eave of an old roof, gently curved, drawing a line between itself and the sky. That ease in the curve, carried into every line AANS draws.
All About Noirs Urban Exoskeleton
We Designed Urban Exoskeleton Enclosed, Not Exposed
CUT 01. URBAN EXOSKELETON
Eastern Structure
All About Noirs
Enclosed, Not Exposed
A fashion brand built on an original world. As the name says — not one black, but many noirs. Figures and stories in the dark, the aesthetics of black in its entirety, extended through clothing, film, and space. Led by atelier director KUROSE.K, the world unfolds in sequence — beginning with CUT 01 : URBAN EXOSKELETON. A fashion brand built on an original world. As the name says — not one black, but many noirs. Figures and stories in the dark, the aesthetics of black in its entirety, extended through clothing, film, and space. Led by atelier director KUROSE.K, the world unfolds in sequence — beginning with CUT 01 : URBAN EXOSKELETON.
The signature detail: the ANGOK back cape panel. The incurved eaves of East Asian roofs, reinterpreted as a curved layer running from the back to the arm — carried throughout the collection. The signature detail: the ANGOK back cape panel. The incurved eaves of East Asian roofs, reinterpreted as a curved layer running from the back to the arm — carried throughout the collection.
The theme of the first collection: URBAN EXOSKELETON. An exoskeleton, rendered in clothing — quietly enclosing and guarding the body against the city’s overflow of stimulation. A design language that wraps the body rather than reveals it — and favors balance over frontal emphasis. Overlapping layers and empty space complete the form; a deep, light-absorbing black holds its restrained density. The silhouette is designed to reveal itself not from the front — but from behind, and in motion. The theme of the first collection: URBAN EXOSKELETON. An exoskeleton, rendered in clothing — quietly enclosing and guarding the body against the city’s overflow of stimulation. A design language that wraps the body rather than reveals it — and favors balance over frontal emphasis. Overlapping layers and empty space complete the form; a deep, light-absorbing black holds its restrained density. The silhouette is designed to reveal itself not from the front — but from behind, and in motion.
The eave of an old roof, gently curved, drawing a line between itself and the sky. That ease in the curve, carried into every line AANS draws.
The city is never still — always a gaze, always a sound passing through. In that gap, a city of one’s own: cold, yet safely held.
What looks empty is darkness layered, time pressed into density. Look closer, and black reveals itself. That is noir.


SHELTER 3LAYER JUMPER


SHELTER 3LAYER JACKET


SHELTER 3LAYER COAT


EXOSHELL GOOSE DOWN PARKA


FRAME WOVEN S/S TEE


FRAME WAFFLE L/S TEE


FRAME TWILL HOODIE


SHELTER NYLON TROUSERS


SHELTER CORDUROY TROUSERS
LAUNCH POP-UP
Pre-opening (Invitation Only) 10.24 Sat.
Open to the Public 10.25 Sun. – 11.1 Sun.
10.26 (Mon.) will be reserved for a private event, and access for general visitors may be limited.
RAND OMOTESANDO TOKYO
Jingumae Court, 4-24-3 Jingumae, Shibuya, Tokyo